Vampire Film Synopsis!

We see the priest leaning against what appears to be a rail in a large, open building. The building appears to be a church. We can tell from his body language that he is frightened, as he is leaning back and his whole body seems to be tensed as fear. From the left of the frame, the vampire emerges moving ominously and creepily towards the priest. It is a low-angle, mid shot and also an over-the-shoulder shot. We hear the sound of the vampire’s feet creaking against the floorboards and the priests breathing starts to become heavy, tense and quite loud.

We cut to a point of view shot from the priest’s perspective with the vampire looking down on the priest hungrily. The vampire appears to be wearing a formal jacket that looks quite dirty and old, with a striped tie and a white loose shirt underneath. His hair is very scruffy and unclean. We can see that his facial expressions are very serious and scary and his eyes show a lot of evil in them. Sounds of the wind howling are heard in the background of the shot.

The audience then sees a tracking shot of the priest moving from right to left across what appears to be a barrister on a balcony of a church. He is leaning right against the rail, illustrating that he is scared and wants to stay as far away as possible from the vampire. As he moves along the barrister, his hands are tightly gripped to the piece of wood, which shows that he is very tense and frightened. We can see the vampire appearing in the background, moving menacingly forward toward the priest in a steady, stiff manner. All the audience can hear is the moans from the priest who is frightened and his footsteps along the wood as he moves further and further away. It is a mid shot. The shot then cuts and we see the vampire launch himself off the balcony flinging the priest down onto the altar, which is on the lower floor of the church. The alter candles are flung in disarray and the two men’s bodies appear to be lifeless. The camera zooms out from the two bodies lying on the alter table and the vampire starts to feed on the priest. We hear the sound of the balcony snapping as the vampire launches himself onto the priest and then the sound of the loud thump from the two men landing on the altar. The audience can also hear the sound of many items near the altar, where the ten men landed, shatter apart. It is portrayed as a high-angle, mid-shot.

The camera zooms out slowly for the rest of the film. It is a high-angle, mid-shot to a long shot. The audience can see the priest’s body lying across the alter still. As the camera zooms out, Jesus is shown hanging on the cross above the priest. Tense music is playing in the background and the vampire is nowhere to be seen. The shot then cuts to a black screen and all is quiet. 

Notes on Protagonist and Antagonist!

Protagonist drives the plot forward. 
Antagonist tries to stop him.

The protagonist is the main character, usually the "good" guy in the story. The story mainly focuses on this character's experiences. 

The Antagonist is usually portrayed as the "bad" guy, or the person that goes against the protagonist and way he's trying to do. 

In the Story Mind, the Protagonist is the Prime Mover of the effort to achieve the Story's Goal. The Antagonist is the Chief Obstacle to that effort. In a sense, Protagonist is the irresistible force and Antagonist is the immovable object.

Without a Protagonist, your story would have no directed drive. It would likely meander through a series of events without any sense of compelling inevitability. When the climax arrives, the protagonist would likely be weak. This is not to say that the protagonist won't be convinced to stop trying, eventually, he or she will ignite again and once more resume the drive toward the goal. 

In choosing which of your characters to assign the role of the Protagonist, it doesn't have to be the most powerful character, rather it will simply be the character who keeps pressing forward, even if in a gentle manner until all the obstacles to success are either overcome or slowly eroded. 

Notes on Plot Development!

What is a plot? 

A plot is the organised pattern or sequence of events that make up a story. Every plot is made up of a series of incidents that are related to one another.

Exposition: 

This usually occurs at the beginning of a short story. Here the characters are introduced. We also learn about the setting of the story. Most importantly, we are introduced to the main conflict.

Rising Action: 

This part of the story begins to develop the conflict(s). A building of interest or suspense occurs.


Climax: 

This is the turning point of the story. Usually the main character comes face to face with a conflict. The main character will change in come way.


Falling Action: 

All loose ends of the plot are tied up. The conflict(s) and climax are taken care of.

Resolution: 

The story comes to a reasonable ending.

Storyboarding!

The two rules of storyboards: 
- Firstly, storyboards allow a filmmaker to pre-visualize their ideas and refine them in the same way a scriptwriter refines their ideas through a succession of drafts.
- Secondly, they serve as the clearest language to communicate ideas to the entire production team.

A storyboard includes: 
- The shot type
- Camera position/movement (using arrows)
- Camera action/dialogue/detail
- Any notes


Camera Position: 
- High camera angle
- Low camera angle
- Level camera angle
- Long shot

To illustrate camera movement, you can use arrows. 
Note any dialogue used in the film. 

Storyboard Language: 
Pan: A steady, sweeping movement from one point in a scene to another.
POV (point of view): A shot which is understood to be seen from the point of view of a character within the scene.
Reaction Shot: A shot of someone looking off screen or a reaction shot can also be a shot of someone in a conversation where they are not given a one of dialogue but are just listening to the other person speak.
Tilt: Using a camera on a tripod, the camera moves up or down to follow the action.
Zoom: Use the camera lens to move closely towards the subject.
Close-up shot: A close range of distance between the camera and the subject.
Dissolve: A transition between two shots.
Fade: A transition that slowly swifts between two shots.
Jump cut: A rapid, jerky transition from one frame to the next.

What is a storyboard? 
A story board is an illustrated version of the script in a production. The director will use it as a first visual draft of what should be done in a film or a television series. The storyboard is a very effective way to communicate what a director wants in their project. A script can be interpreted in many different ways, but a storyboard doesn't leave much place for interpretation.

In animation, the storyboard will contain all the important information needed for the production: 

• A basic idea of the layout 
• The script 
• The dialogue 
• The duration of each scenes 
• The camera movement if there is any 
• Character or element actions 
• Mood or Colour

A panel is one specific action or moment in a storyboard. One drawing is one panel. You will find all sorts of information in a panel. 

The Action is what is going on at the moment in the storyboard. The character or characters poses should be clear and to-the-point. Arrows can be used to help explain what is going with the action also. Action Notes are extra information to help understand what is taking place in the storyboard. Not every panel has notes but there should be enough so that no one is confused by what is going on in the board.

Dialogues (if there are any) should be included in the specified box. Simply copy the dialogue from the script and paste or type it into the dialogue box.

Arrows are a clear way to indicate to the viewer what is going on. They can be drawn in all sizes and directions to show perspective in movement. They are used often, as they help to make your storyboard clear.

Panel Annotations are important. Sometimes, they are put inside arrows, inside a circle. This is up to the storyboard artist. Characters coming in or going out of a panel should be clearly indicated as this makes a big difference in a scene.

Camera movement should also be included in the panel. A camera move should be marked. You should have the first frame for the starting point and the second frame for the ending of the move. Then arrows can indicate the direction of the move. 

Character Profile!

Character Profile Worksheet- Basic Information/Statistics

Name: Aurora (Sleeping Beauty)
Age: 17 years old
Current Residence: Cottage in the forest/ Prince Phillip's Castle
Occupation: House maid, princess, picking berries
Talents/Skills: Make people fall asleep, sing, attract animals, ride a horse, dance, cook

Physical Characteristics: 

• Long blonde golden hair
• Perfect teeth
• Blue eyes
• Flawless face
• Skinny, best body 
• Long Legs 
• Light skin, tiny bit tanned 
• Pink Nails 
• Lips as red as the rose 

Height: 165cm

Race: German/British 

Eye colour: Blue 

Hair colour: Golden Blonde 

Distinguishing features: Lips as red as the rose 

Weight: 50kg 

Skin colour: Creamy, lightly tanned 

Glasses/Contact Lenses: No

Facial shape: Quite Oval 

Style: Elegant, cute, hot, amazing, beautiful 

Dress/Clothing: Pink dress usually 

Mannerisms: hold pinky up, sings a lot, has manners, falls asleep quite easily 

Hobbies: Singing, dancing, riding horses, sleeping

Favourite Sayings: I know you, I've walked with you once upon a dream. 

Speech patterns: Normal

Emotional Characteristics: 

Strengths: determined, caring, outgoing, fun, gentle, talks and sings to animals

Weaknesses: sleepy, stubborn

What motivates this character? Meeting her prince charming and marrying him

What frightens this character? Not getting married to her prince charming

What makes this character happy? Being with her prince charming 

Introvert or Extrovert: Extrovert 

What is this characters goal? Marrying prince charming and becoming a princess

Intellectual/Mental/Personality Attributes and Attitudes: 

Educational Background: Not much schooling, home schooled, lived in the forest until her sixteenth birthday. 

How does this character see himself/herself? A beautiful, loving person that is a bit lost, as she doesn't know much about her family and where she came from. 

Confidence? Normal amount 

Does this character seem ruled by some emotion or logic or some combination thereof? She is told that she has to marry a prince and become the next princess. 

Best Characteristics: beautiful, loving, singer, dancer, outgoing 

Worst Characteristics: sleepy, stubborn, believes things easily 

Term 2!

For the first two weeks of term 2, we have been looking at power points and brainstorming about how to make, edit and analyse a film, as this will be our next assignment. We are learning how to write a film treatment up to week 7 of this term and then spend the rest of the term filming it. I am very excited about doing this project and find it very interesting. In my group, we have already planned the storyline and discussed the characters. So far, it has been a good start to the term.

3 different genres!

Adventure Films:

Adventure films are usually exciting stories, with new experiences or exotic locales, very similar to or often paired with the action film genre. They can include traditional swashbucklers and historical spectacles, searches or expeditions for lost continents, epics, treasure hunts, disaster films, or searches for the unknown.

Comedy Films:

Comedies are light-hearted plots consistently and deliberately designed to amuse and provoke laughter by exaggerating the situation, the language, action, relationships and characters. This section describes various forms of comedy through cinematic history, including slapstick, screwball, spoofs and parodies, romantic comedies, black comedy and much more.

Drama Films:

Dramas are serious, plot-driven presentations, portraying realistic characters, settings, life situations, and stories involving intense character development and interaction. Usually, they are not focused on special-effects, comedy, or action. Dramatic films are probably the largest film genre with many subsets.